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Vision for Three Decades and Dedication to Expansion of K-Content by CJ ENM

South Korean media and entertainment giant CJ ENM reveals long-term strategy to maintain dominance in the K-content sector, despite ongoing industry upheavals. CEO Yoon Sang-hyun stressed the company's resolve to invest around KRW1 trillion ($750 million) every year on content production,...

Leading South Korean media and entertainment company, CJ ENM, outlines a 30-year plan to maintain...
Leading South Korean media and entertainment company, CJ ENM, outlines a 30-year plan to maintain its dominance in the Korean content market, despite industry upheavals. The firm pledges to funnel KRW1 trillion ($750 million) every year towards content production, demonstrating its conviction in the lasting international draw of Korean media. This dedication was underscored by CEO Yoon Sang-hyun at a recent event hosted at the Busan International Film Festival.

Vision for Three Decades and Dedication to Expansion of K-Content by CJ ENM

South Korea's media juggernaut, CJ ENM, dropped a bombshell at the Busan International Film Festival by revealing a 30-year master plan, shelling out a whopping KRW1 trillion ($750 million) annually to amplify K-content's global footprint. This ambitious strategy leans heavily on CJ ENM's industry might.

Here's a lowdown on CJ ENM's master game plan, straight from the horse's mouth:

Going Global, K-style

CJ ENM is raring to go global, and it's pulling out all the stops for this one. Key elements of this strategic offensive include:

Investing Heavily in Content

CJ ENM's content purse is about to burgeon even more—a staggering KRW150 billion ($106 million) will be poured into content investments in 2025, on top of last year's KRW1 trillion ($706 million) budget[2][3]. This financial heft underscores the company's commitment to churning out global-friendly content.

Partnering Up for Smoother Sailing

CJ ENM isn't shy about striking alliances. It's reaching out to studios in the US, Japan, and Southeast Asia to boost its worldwide reach[2]. The success of collaborations has already been evident with exports of popular shows like "It’s Okay to Not Be Okay," "Happiness," and "Mouse" to countries such as the Philippines and Thailand[1].

Steaming Ahead with Streaming Partners

CJ ENM has inked a multi-year content distribution deal with Prime Video, which covers both new and library titles (barring Korea and China)[5]. This partnership aims to serve up a smorgasbord of premium K-content to a global audience.

Expanding Tving's Territory

As the main shareholder of Tving, CJ ENM is backing the streaming service's international expansion, with a target of 15 million global subscribers by 2027[2]. The recent merger approval between Tving and Wavve is expected to fortify CJ ENM's position in the streaming market[4].

Overall, CJ ENM's global expansion strategy hinges on strategic partnerships, hefty content investments, and smart mergers to emerge as a dominating IP force. Don't call it a comeback; they've been here for years!

CJ ENM intends to invest heavily in content, with a planned expenditure of KRW150 billion ($106 million) in 2025, further increasing their financial commitment towards creating global-friendly content. This South Korean media powerhouse is also focused on forming strategic partnerships with studios in the US, Japan, and Southeast Asia to amplify its worldwide reach in the realm of investing and business.

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